Sabine Bitter, Helmut Weber, Jeff Derksen The artist book by Sabine Bitter and Helmut Weber is based on an unpublished original text by French philosopher and urbanist Henri Lefebvre which is printed as a facsimile. This central text is contextualized and interpreted by accompanying commentaries and texts by Ljiljana Blagojevic, Zoran Eric, Klaus Ronnberger, and Neil Smith.

The text from Henri Lefebvre was submitted as part of a proposal with French architects Serge Renaudie and Pierre Guilbaud for the International Competition for the New Belgrade Urban Structure Improvement in 1986, sponsored by the state of Yugoslavia. In his urban vision for New Belgrade the capital of former Yugoslavia founded in 1948 Lefebvre emphasizes the processes and potentials of self-organization of the people of any urban territory to counter the failed concepts of urban planning from above. For Lefebvre, at this late point in his life, the promises of both modernist capitalist as well as state socialist architecture and city planning had failed. Yet, Lefebvre viewed New Belgrade and Yugoslavia as having a particular position in what he has elsewhere called the urban revolution; As Lefebvre states, ; because of self-management, a place is sketched between the citizen and the citadin, and Yugoslavia is today [1986] perhaps one of the rare countries to be able to pose the problem of a New Urban.

With contributions by Sabine Bitter and Helmut Weber, Ljiljana Blagojevic, Zoran Eric, Klaus Ronnberger and Neil Smith.

Janet Cardiff, George Bures Miller Using existing elements in prison cells at the massive Eastern State Penitentiary in Philadelphia, sound artists Janet Cardiff and George Bures Miller produced a percussive site-specific work that was rhythmic and musical at some points and at other times pure sound, as if made by the multitude of ghosts inhabiting the cells. Eastern State Penitentiary was the world's first true "penitentiary," designed to inspire profound regret—or penitence—in the hearts of criminals. Its influential design featured cell blocks extending like the spokes of a wheel so that each inmate lived in solitary confinement in a vaulted skylit cell. The artists chose Cell Block Seven, an enormous, cathedral-like, two-story wing completed in 1836 for their piece. It had never before been open to the public. Pandemonium documents this haunting and ephemeral work with color and black-and-white photographs and an audio CD, enclosed.

Keren Cytter The Seven Most Exciting Hours ... is an adventure novel based on a true story told in a televised interview by the notorious Danish
filmmaker Lars von Trier. Set around a Copenhagen hospital, it describes seven hours in the life of Tibor Klaus Trier the filmmaker's
father from the moment that his wife goes into labor early in the morning until Lars is born. The plot only then begins to thicken: carjackings, family murder, zombies, Armageddon, and phantom diagnosis
of cancer all vie for attention. Using classic slasher flicks and psychological pot-boilers and a wink to Glenn Gould as its guides,
Cytter explores the metaphysical wildness of mind representative of von Trier's work.

Ann Demeester, Luis Carcamo-Huechante, Sung Hwan Kim, Joan Jonas This first monograph on Korean-born, New York-based Sung Hwan Kim offers a multifaceted encounter with the artist's lyrical, perfomative work via the artist's own writing, a conversation with Joan Jonas, an account of his Prix de Rome performance by Ann Demeester and an essay by Harvard's Luis E. Carcamo-Huechante. With an introduction by Eva Huttenlauch.

Peter Friedl

Michael Hirsh Featuring more than 250 images, Why Mister, Why? is a compelling account from photojournalist Geert van Kesteren. For the most part of 2003 and into 2004, van Kesteren made these images in a struggling Iraq, intertwining them with his personal experience of the situation in diary-like notes. In that way, this body of work resonates with an honesty found only when the narrator and photographer of a story are one and the same. The situation in Iraq, following the declaration of "mission accomplished," represented a culture clash of rare proportions, and van Kesteren was witness to what went wrong. He saw clouds of sadness coming from the mass graves created by the Saddam regime, while Shi'ites enjoyed their awakening freedom. Embedded within the ranks of US troops, he witnessed disgraceful raids on Iraqi citizens. And these accounts are presented here for the reader to see, feel, and try to understand. In a clear photojournalistic way, van Kesteren outlines why it will take a long time before the Iraqi people can enjoy the semblance of peace. Accompanying the images is an introduction by Newsweek senior editor Michael Hirsh, with whom Van Kesteren shared several tense moments in Iraq. Introduction by Michael Hirsh. Paperback, 6.5 x 9 in./544 pgs / 245 color.

Ines Kaag, Desiree Heiss

Geert Van Kesteren Photojournalist Geert Van Kesteren shows the disorienting reality of war-torn Iraq as he chronicles the lives of ordinary Iraqi people living in Baghdad, Jordan, Syria, and Turkey during 2006 and 2007. This engrossing book combines Van Kesteren's professionally photographed images with the stories of Iraqis in their own words and hundreds of cell phone pictures and digital snap shots taken by the Iraqis themselves. Some reveal places that journalists dare not tread, others are a vivid chronicle of day-to-day life, as likely to show a beloved pet or two best girlfriends as the aftermath of a bombing attack.

David Lamelas

박보나, 이대범 Bona Park, Daebum Lee This book was published on the occasion of an exhibition by Bona Park that took place in a room at the Total Museum, Seoul in January 2009. Of the three works, X, XX and X2 included in the book, only X2 was featured in the exhibition. The audience/exhibition visitor is expected to use binoculars and look through the window beyond the exhibition space, interacting with an "invigilator" (지킴이), having read the text of the stories (X, XX, X2).

이득영 Duegyoung Lee This book presents Duegyoung Lee’s photography, Two Faces, which is “a panoramic picture of the Hangang riverside landscape, composed of about 13,000 photographs Lee took for four days on several boats (cleaning boat, cruise boat, municipal boat), traveling the 48 km waterway of the Hangang from the upper region of Misa-ri, Gyeonggi-do, passing through Seoul, all the way down to Gimpo area, Gyeonggi-do.”
Conceptually, Two Faces is a combination of two books: one with the north side view and the other the south side. The book is constructed as if the two books are put together bottom-to-bottom, so that the two views from the Hangang correspond to each other geographically. The pages are Asian-folded to create the impression of a continuous flow of the landscape. The cover shows the entire work compressed widthwise to 1%. A short, personal essay by Z-won Rhee, reflecting the modern history of the Hangang, is included as a supplement.

임민욱 Minouk Lim Published on the occasion of the 2010 Media Art Korea Award (MAK Award) which recognises promising Korean media artists and helps them gain greater international recognition. This book features Minouk Lim's award-winning work S.O.S. – Adoptive Dissensus (2009), a documentary video of a participatory performance given on a cruise ship along the Han River. Two of the artist's previous works titled New Town Ghost (2005) and Portable Keeper (2009), as well as three more recent works, The Weight of Hands (2010), FireCliff 1(2010), and FireCliff 2 (2011), are also included. With essays by Hong-hee Kim, Mike Stubbs, Yeongok Kim, Nathalie Boseul Shin, and Manray Hsu. Includes artist biography.

이주요 Jewyo Rhii This catalogue accompanies Jewyo Rhii's exhibition, curated by Sunjung Kim and presented at SAMUSO: Space for Contemporary Art from September to November 2006. It includes images of her projects Once You Lie Down, Warming and Humidifying, Five Carts, Lie on the Han River and Airport Romance, as well as an interview conducted by Sunjung Kim. 

Mirjam Schaub This is the definitive edition documenting Janet Cardiff's audio Walks in Paris, London, and New York. For these walks, Cardiff provided gallery-goers with walkmans which led them through the cities relying solely on the acoustic guide. The urban environment thus became the scene of a mysterious narrative in which the visitors became ever more involved. An artist's book with a CD that "guides" readers through the book with regards to text and illustrations.

Slavs and Tatars Slavs and Tatars is a multi-artists' collective which is fascinated by the area east of the former Berlin Wall and west of the Great Wall of China. Through their often-playful art they delve into the riches of this cultural crossroads, the romantic sphere of influence between Slavs, Caucasians, and Central Asians. Here they plunge into the fables and myths of the mountainous Caucasus region: the first part addresses the complexity of languages and identities on the fault line of Eurasia, and the second part, slyly titled Steppe by Steppe, explores the region's seemingly reactionary approaches to romance. Whether they're looking at art, fashion, lifestyle or science, Slavs and Tatars bring a new point of view to the table.

Lawrence Weiner Lawrence Weiner's trademark graphic text and sign pieces are here juxtaposed with a few erotic and/or marine-ish photographs. First published in 2003, this artist's book is now available again in an edition of 600 numbered copies. The first edition was printed all in black. The new one is all in blue.

최원준 사진.글, 문영민 글

최원준 사진.글, 문영민 글

김영글 김영글의 세 번째 책작업인 <Six Fingers>는 역사적, 허구적 인물들의 입을 빌어 세상의 여러 '육손이'들에 관해 쓴 텍스트 모음이다. 육손이는 원래 태어날 때부터 손가락이 여섯 개 달린 사람을 낮추어 부르는 말이지만, 이 책에서 작가는 인간의 힘을 넘어서는 삶의 기대와 공포, 그리고 필연적으로 품고 가는 우리 내부의 불균질한 속성들로 그 의미를 확장한다.  

목차

작가 Author
무용수 Dancer
상담사 Life planner
봉제공 Seamstress
메이저리거 Mager Leaguer
그 외 기록된 사람들 The Rest
그 외 기록되지 않은 사람들 and More

양혜규, 마르그리트 뒤라스 『죽음에 이르는 병』은 마르그리트 뒤라스 Marguerite Duras의 소설 『La Maladie de la mort』를 한국어판으로 번역하고(정희경 번역), 박준상(숭실대 철학과)의 서문과 작가 양혜규 자신의 에필로그를 덧붙인 책으로, 디자인은 네델란드의 그래픽 디자이너 다니엘 반 데어 펠덴(메타 헤븐)이 맡았다. 이는 그간 이미 존재하는 주제나 소재에 최소한도로 개입하여 그 소통의 순간만을 변주해온 작가의 작업 태도와도 맞닿는 새로운 시도이다. 자신이 오랜 기간 마르그리트 뒤라스에 심취해 왔으며 또 그녀와 대화해 왔다고 말하는 양혜규의 이번 책은 모리스 블랑쇼의 공동체 이론에 대한 작가의 관심이 마그리트 뒤라스의 연인들의 공동체를 거쳐 어떻게 현재 자신의 작업으로까지 연결되고 있는지를 보여줄 것이다.

박찬경.클라우스 펠링 글, 박찬경 사진

이득영 The photographer Lee Duegyoung methodically documents urban spaces, and for this exhibition he took a series of aerial photographs of Teheran Street in Seoul, and combined them to a very long, single photograph. In this catalogue, the image is divided to six parts, each printed over two pages with the introductory essay and other information printed on the back. The book is left unbound, so the reader can rearrange the sheets to reconstruct the work.

정금형 Geumhyung Jeong, 임근준 The performance Technical Problem was a collaboration between the designer-artist Jackson Hong, who selected and supplied various equipments as “props” for the piece; the performer Geumhyung Jeong, who tried an interplay with the inert objects onstage; and the writer Chungwoo Lee, who initiated the project and introduced the two artists to each other.
The book starts from the middle: having its “cover” inside, the reversed structure suggests the non-narrative nature of the performance. The pages alternate between the documentation photographs and the text, which includes a revealing transcription of the artists’ talk after the second and last performance on 24 April 2010.

임흥순 『비는 마음』은 임흥순의 개인전《비는 마음-제주 4.3과 숭시》(2011.10.7–11.3 space 99) 에 선보였던 작품들과 함께 작가 임흥순이 2년에 걸쳐 제주도와 일본 오사카를 답사하며 모은 제주 4.3 사건에 대한 기록-증언, 노트, 이미지-들이 수록된 작품집입니다. 제주도 야간 산행과 숲 속 산책을 통해 기록한 <이름 없는 풍경>들과 이야기들은 작가 임흥순이 ‘산 자가 할 수 있는 최소한의 애도’로써 끊임없이 ‘사자와 대화’하고자 한, 소멸되는 역사를 기억하는 ‘비는 마음’이자, 과거의 상흔이 다시 반복되는 지금 그곳-강정마을-을 망각의 권력 아래 놓지 않으려는 바람입니다.
 
마지막으로 이번 작업이 4.3의 진실을 설명하고자 한 것은 아니다. 이 흔적, 이 사건의 기억을 체험하고 이해하고자 하는 마음을 통해 지금의 삶 또한 과거와 다르지 않음을 인식하고자 함이다. 그것이 고통의 미래를 만들지 않는 유일한 방법이지 않을까 하는 이유이다. 타자에 대한 ‘연민'과 죽은 자에 대한 ‘애도'는 인간의 본성이고 기본적 예의이다. 참된 삶의 조건은 무엇일까. (...) 욕망과 물질로부터 내쳐진 ‘나'의 두려움과 영혼을 직시하는 것이다. -임흥순, 『비는 마음』, 서울:포럼에이, 2012, p.16
 

목차
비는 마음-제주 4.3과 숭시 _ 신성란
비는 마음 _ 임흥순
통로 B
숭시
롱굿바이
이름 없는 풍경
제주 노트
사자 아카이브
막다른길-별
허구의 우주 그 속을 바라보다 _ 강수정
제주노트

Jaye Rhee 이재이 Imageless: Jaye Rhee (Seoul: Specter Press, 2010). Monograph of the artist. Hardback, 225 x 305 mm, 120 pp.

김상돈 외 지음

김영글 지음

김영글 지음

김홍석 외 지음

믹스라이스 지음

박길종 지음

안규철 지음

양혜규 지음

양혜규 외 지음

양혜규 외 지음

옥인 콜렉티브 지음

임흥순 지음

정서영.김현진 지음

정주하 지음

조동환 외 지음

파트타임스위트 파트타임스위트 프로젝트 리포트 2009 
(총 192페이지)
파트타임스위트 프레스에서 500부 한저으로 발행되었으며, 서울문화재단에서 후원했습니다. 이 책은 동강인쇄에서 인쇄/제본 되었으며 CD는 예인미디어를 통해 만들어졌습니다. 그래픽디자인은 황신혜 ([email protected]), 번역은 정수혁, 기획은 파트타임스위트, 음악은 파트타임스위트 사운드가 했습니다. 이 책에 수록된 텍스트의 저작권은 각 출판사와 저자, 작가에게 있으며 파트타임스위트는 각 저작권 소유자의 저작권을 존중합니다.
파트타임스위트의 2009년 프로젝트를 도와주신 
안정섭, 백경원, 차재민, 이은정, 김현진, 김장언, 이대범, 이형주, 최종운, 류한길, 임민욱, 이정은, 최복규, 충무로 부동산뱅크, 극단 다페르투토, 팽귄클래식, 열화당에 감사의 뜻을 전합니다.

TOLOVERUIN
(EP, 2010)
Intro
Music, 작곡: p-t s s / Turning to Ice, 작곡: 박재영+최태현, 가사: Cathy Acker의Blood and Guts in High School에서 무단 발췌 / Loop the Loop, 작곡: 최태현 / Reading, 작곡: 최태현 / Sudden Fiction, 작곡: 최태현, 작사: 이미연 / P-T S S,
작곡: 최태현, 작사: 이미연, 나레이션: 박재영+이미연
Part-times Suite Sound

기타/보컬: 최태현
베이스: 이미연
패드: 이병재
키보드: 박재영
프로듀싱: 최태현
마스터링: 장영규
-
Part-time Suite Annual Report 2009 
(192 pages)
Published by Part-time Suite Press in an edition of 500 copies. Sponsored by Seoul Foundation for Arts and Culture. The Book printed and bound by Dongang Print, CD-R printed by Yein Media in Soeul, Korea. Graphic design by Sinhye Hwang ([email protected]). Translated by Suu-hyouk Jeong. Edited by Part-time Suite. Music by Part-time Suite Sound. Copyrights of the original texts of the excerpts in this book are reserved by the original artists, authors, and copyright holders. Part-time Suite respects the rights of the original artists, authors, and copyright holders.
Part-time Suite would like to Thanks to 
Jeongsub Ann, Kyoungwon Baek, Jaemin Cha, Eunjeong Lee, Hyunjin Kim, Jang Un Kim, Daebum Lee, Hyungju Lee, Theater Company Cho Geung Jeong, Jong Un Choi, Hankil Ryu, Minouk Lim, Jeong Eun Lee, Bokgyu Choi(Donghaewon), Chungjeongno Budongsan Bank, Penguin Classic Korea and Yeol Hwa Dang pbl.
TOLOVERUIN
(EP, 2010)
Intro
Music by p-t s s / Turning to Ice, Music by Jaeyoung Park & Taehyun Choi, words by Cathy Acker (taken from Blood and Guts in High School without permission) / Loop the Loop, Music by Taehyun Choi / Reading, Music by Taehyun Choi / Sudden Fiction, Music by Taehyun Choi, words by Miyeon Lee / P-T S S
Music by p-t s s, words by Miyeon Lee, Narration by Jaeyoung Park and Miyeon Lee
Part-times Suite Sound

Guitar and Vocal. Taehyun choi

Bass. Miyeon Lee

Drumpad. Byoungjae Lee

Synth. Jaeyoung Park
Producing. Taehyun Choi

Co-mastering. Jang, Young-Gyu

파트타임스위트 발행일. 2011년 3월 10일
발행. 파트타임스위트 프레스 
인쇄. 삼원프린팅 
디자인. 신동혁 (hey-ok) 
번역. 정수혁 
도움주신 분들. 박준석, 백경원, 이산하, 이지민, 이지연, 이형주 
후원. 문래예술공장, 서울문화재단
[다목적 근거지: 발간물]은 쇼케이스가 끝난 후 프로젝트와 관련해 각 멤버들이 교환한 총48개의 질문과 그에 대한 답변을 중심으로 엮어졌다. 그 동안의 어려웠던 협업과정과 서로에게 하지 못했던 말들, 기대와 아쉬움의 표현, 작업에 대한 태도들이 여러 가지 대화들과 이미지를 통해 드러난다.
-
Publish date. 10 March, 2011
Publish. Part-time Suite Press 
Print. Samwon Printing 
Design. Donghyeok Shin (hey-ok) 
Translation. Suu-hyouk Jeong 
Thanks to. 
Junsuk Park, Kyungwon Baek, Sanha Lee, Jimin Lee, Jiyeon Lee, Hyungjoo Lee 
Sponsorship. Seoul Art Space Mullae, Seoul Foundation for Arts and Culture
Multi Purpose Basecamp: the Publication mainly consists of the 48 questions involving the project and the members’ answer to them. The questions were exchanged by the collaboration members after the Showcase. A variety of talks and images reveal the difficulty of the collaboration process, words the members hadn’t been able say to each other, expectations and disappointments and different approaches on work.

파트타임스위트 10 March, 2011
Publish. Part-time Suite Press 
Print. Dongang Printing + Samwon Printing 
Cover Design. Donghyeok Shin (hey-ok) 
Sponsorship. Seoul Foundation for Arts and Culture
Drop by Then: Pieces of the Scenery, preceded by Raw Cast and Drop by Then: Screening, is the final end-product of our travelling project Drop by Then. The 72 drawings are a belated result of our first plan, prior to the project, to record our journey by means of drawing, instead of taking photos. We used carbon paper to mark the route of our trip on the poster, which is about the size of an actual map. Also packed inside is a photograph of DMZ to the north, that we secretly took at the Taepung observatory. his package has been mailed to subscribers for free.

함양아 This monograph documents Korean artist Ham Yangah's works from multiple disciplines, including her installation works Nonsense Factory (2010) and Pole installation as individuals in society (2007), the chocolate sculpture Chocolate Head (2007) and performance video Adjective Life - Out of Frame (2007), plus examples from her significant bodies of video works - such as Dream... in Life (2003-04), Transit Life (2005), 10 to 3 (2005), Illusions of Memory (2005), Tourism in Communism (2005), and Land, Home, City (2006), to name but a few. Includes essays, interview and artist biography.